Archie Churchill-Moss’s journey through the musical landscape is one of rich collaboration and  unwavering commitment to the diatonic button accordion—a craft that has earned him  widespread acclaim and reverence. 

A pioneer in combining folk music with live electronics and a celebrated composer, Archie’s  innovative approach seamlessly blends traditional idioms with contemporary composition. His  keen attention to modern influences has enabled him to create soundscapes that expand the  horizons of folk music. His music has resonated widely, receiving multiple plays on BBC Radio 2 and BBC Radio 3. 

Archie's career as a session musician is a testament to his versatility and skill. He has  collaborated with esteemed folk and traditional artists such as Seth Lakeman, Sam Sweeney,  Cara Dillon, Jim Moray, Eliza Carthy, Sam Kelly, and Sam Carter. 

Outside the ‘folk-sphere’, Archie has worked on projects with world-renowned Welsh opera singer  Sir Bryn Terfel, and has received performance credits alongside Sting, Patrick Rimes, and Port Isaac’s Fisherman’s Friends. These collaborations have led to appearances on S4C, BBC, and  Channel 4’s Sunday Brunch. 

In recent years, Archie has focused on his solo performance. His debut solo album, PH(R)ASE (Slowworm Records, 2023), earned him the support slot for Norwich-based contemporary jazz  trio, Mammal Hands. 

Beyond the stage, Archie’s role as an educator amplifies his impact on the musical landscape. As  a Principal Lecturer at Leeds Conservatoire, he has developed a teaching style characterised by  warmth and insight, guiding musicians to discover their own voices within the rich tradition of folk  music. His expertise also extends to the master’s program at the University of Limerick, where  he works closely with postgraduate students to develop their instrumental performance skills. 

Archie Churchill-Moss is ensuring that the vibrant legacy of English folk music continues to  thrive in both contemporary and future contexts. 

‘We can only sit back and wonder at the mastery’ - Folk World  

‘This kind of thinking is exactly what we need within music’ - Trad Folk 

‘The instrument has been taken to its limit and Moss thrashes out some remarkable life from it’ - At The Barrier ‘

 

Given his reputation, it’s no surprise that the musicianship is top class’ - Folking